A most comprehensive study of alienation in Giuseppe Berto (1914-1978), the popular but controversial Italian author whose artistic endeavors include fiction, journalism, play writing, and cinematography. "A valuable, scholarly tool for the study of this contemporary author". -Santo L. Arico, Italica.
Durante los primeros días del mes de septiembre de 1943, un pequeño destacamento de soldados italianos situado en el sur de la península apenina, en Calabria, espera el desembarco de las tropas aliadas, que ya han ocupado Sicilia. Convencidos de que ya no pueden hacer nada por defender su propia tierra, tan sólo combaten por preservar su dignidad de soldados italianos. Entre ellos se encuentra el alpino Calusia, quien, tras la batalla librada contra los aliados ingleses en la zona, remontará media península hasta Nápoles para devolver a su familia los restos mortales de su teniente muerto en combate. En su viaje, acompañado de un burro que transporta un cadáver en descomposición y bajo el calor del verano, Calusia será testigo de los estragos de la guerra: el hambre, el miedo y la derrota han embrutecido a un pueblo que, para sobrevivir, comete cotidianamente violencias e injusticias contra las que el propio Calusia se rebela.
A re-evaluation of the works by this novelist, dramatist, and critic of turn-of-the-century Milan. The issue of Butti's place in literary history leads to a critical definition of the minor writer in relation to his public.
Thought-provoking study of the impact of Fascism on Italian literature. Excellent political and historical perspective on World War ll, propaganda myths of the regime; satire and surrealism; anti-Semitism; and the Renaissance. "Ci troviamo di fronte ad un grande sforzo indagativo, riassuntivo e informativo." -Franco Di Carlo, Rassegna della Letteratura Italiana.
In this most authoritative study of Nobel Prize winner, Grazia Deledda, Professor Aste sheds new light on the life an work of the famed Sardinian writer. A scrupulous analysis of the socio-linguistic, cultural, literary and philosophical dimensions of Deledda and Sardinian traditions makes this the best and most complete work ever written on Deledda.
This collection of comparative essays re-examines and discovers new literary links between Italy, Spain, and Latin America which will provide the reader with a better understanding of the meaning, significance, and literary value of the works examined. Among the co-authors and their essays are: Nancy D'Antuono on commedia dell'arte in Spain; Giulio Massano on Italian influences in the genesis of the pícaro; Luigi Imperiale on Aretino and Francisco Delicado; Mario Aste on Hispanic-Sardinian writers. In addition, this collection also includes two Italo-Latin American essays by Vincenzo Bolletino and Galo Acevedo-Vaca.
A thorough and scholarly interpretation of the description of Italy in the works of Dante. A cogent review of Dante's criticism on the subject is followed by extensive chapters on the varied, intricate, and symbolic uses of "umilità","superbia," and "magnanimità." Brilliant exposition of a most engaging topic. Well written and amply documented.
An aspiring collection of original poems on hermeneutical, metaphysical and existential aspects of the human experience. Profoundly moving and thought-provoking. Written in Italian.
The author shows the English poet's genius in reshaping materials from an Italian neoclassical play to his own Romantic and Shakespearean work. This book includes the Italian original of Pieracci and an English translation. "The author has made two important and valuable contributions to the literature of the theater, for he has resurrected Pieracci's play and he has demonstrated its relevance to Shelley's work." -Barbara Groseclose, Comparative Drama.
VI Encuentro entre las Universidades de Macerata y Alicante. Noviembre 1998 Dpto Filología Universidad de Alicante. Para conmemorar el II Centenario del nacimiento de Giacomo Leopardi haciendo incapié en sus relaciones con España y en especial con su literatura.
This book examines the Commedia as a text, set in a discursive space, which can only be interpreted in terms of the other texts that it absorbs and transforms. It is only in the simultaneous reading of these voices that the voice of the Commedia exists. Texts such as the Bible, the Aeneid, the Metamorphoses, the Thebaid and the Commedia itself, coalesce into a textual "history" which must be examined in retrospect in order to interpret the "events" of the poet's text. Cantos studied include: Inferno XX, Purgatorio XXI, and Inferno XIII, V, and XXVI.
The nine essays that make up this collection underscore Hesse's support for the notion of plurality in the seventeenth-century Spanish comedia. ?Hesse has given us still another opportunity to share his imaginative and provocative observations on the Golden Age comedia.
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